Showing posts with label Performance. Show all posts
Showing posts with label Performance. Show all posts

Saturday, February 25, 2023

Why do Mind-body Training?













Why do Mind-body Training?
Mind-body training (Pilates, Gyrotonic, Yoga, TRX, Martial Arts, Dance, free running/trail running, Butohnics) improves core strength, enhances trunk stability, shock absorption by specific exercises and through specific agility movement itself. 

The anatomical focus on the core trains deep transverse abdominal tone, pelvic floor, multifidi, psoas balance, quadratus balance, anterior to posterior, lateral and oblique support systems. Postural and agility drills, provide increased proprioceptive neuromuscular facilitation (PNF) through integrated core control. This PNF feature allows more immediate redirect of centrifugal forces closer to the bone giving the performer opportunity to develop a mind body connection to translate resistance of gravity, weight bearing, and/or other weights with correct dispersion through joints and limbs, the whole body, with its assimilation of control during acceleration and deceleration, additionally improving proprioception.

Learning how to apply mind-body technique with movement stems from training core control with awareness to your good alignment, minimizing abnormal biomechanical compressive forces during full range movement. The quality of movement becomes far more important (and more difficult at first) than the sheer repetition of it.











Weight bearing exercises, jumping, crawling, total body weight resistive movement, and to some extent even repetitive resistance motion, are optimized by application of mind-body technique, along with continued training of mind-body technique. In this way, Mind-body training slows degenerative forces which supports rehab process and maintains rehabilitated injury. So you can play longer, dance smarter. Mind-body training can be applied to any type of workout regime, activity or sport.

However, one has to keep moving to keep in good condition. In functional dynamic motor control, your brain efficiently organizes movement coordination to what it can do with the knowledge you've put in. It's not always the best organization without training. In terms of repetition of your sport, or choreography without cross-training or keeping your core in check, your mind-body connection needs to be refreshed proportional to your movement loads.  Without it, a survival mechanism kicks in, sometimes a protective guard is turned on. If you're highly skilled active mover, survival is okay only for short term but not longer. After that, awareness turns to low priority and your movement and body will pay. BTW, maintaining the mind-body connection is not just about strong abs.

Training is all about teaching your system to align with the best solutions for your individual biomechanics (joint angles and forces) in coordination for high quality performance. Train your muscles to do what you want, by focusing and eliminating extraneous non-essential tension. You train to redirect appropriate forces through alignment/position, core strength, and flow of respiration. Training reinforces your ability to listen to your own total body response in movement, total body awareness through space.

Moving with awareness and rhythm creates a healthy and responsive relationship with your brain, your body and your environment. You can learn your own limitations and capabilities thereby minimizing unnecessary injury. Basically you give yourself the time and space to be honest on any given day in your dance practice. 



Overtime training is no longer what it started out to be. New levels of awareness are enhanced by experience resulting in ease in performance with speed and power matching your ability and movement.

In Pilates, many exercises look so easy. Difficult movements and tasks appear easy to the bystander. Don't be intimidated when a 90lb. waif out lasts you in apparently "easy" exercises. Here's an insider's training tip: if you want to survive your attempts at mind-body training, DON'T HOLD YOUR BREATH, literally.

Thursday, March 7, 2013

GDP 2013: La Puerta de la Luna

GDP 2013:  La Puerta de la Luna
Remains
Future Doorways
Present Archways
Ancient Portals

inside out
a closed door 

the moon is dark open
the door dark open

dancing large
dancing small

THRESHOLD
curtains of light
play on layers unfolding

not so innocent innocence
innocently stirring the arc of innocence

wall of the many moons
and one being Hecate's silver moonchild

air of sensuality
planting grasses

time stops ticking between clicks

GDP Purpose
GDP How

Thursday, October 25, 2012

BUTOH DANCE ART Winter Intensive 2012

BUTOH  DANCE  ART   WINTER INTENSIVE 2012



Wednesdays
6:30-8:30 p.m.
November 7, 14, 21
December 5, 12, 19


This intensive develops physical control for the spontaneous awareness geared toward Butoh Dance Art and Performance in diverse venues. Choreographic techniques explore the shaping of time, spatial boundary to mass ratio, juxtaposition and layer of internal to external world(s), and texture of energetic qualities.

The creative meaning to dance content deepens by finding an objet d'art d'innocence for our dance, evolving danceable sculpture, word images, drawing, and song.

Registration and info
MARY POWER 
415-294-0978 



Tuesday, July 6, 2010

MPOWERDANCE Company Notes: Map of the Mango Planet

MPOWERDANCE Company Notes:
Map of the Mango Planet


"Find beauty not only in the thing itself but in the pattern of the shadows."
--Junichiro Tanizaki

Part III: Full MOON Tango
Part II: The North Pole
Part I: Madame Jellyfish

Where did the Map of the Mango Planet come from?

The conceptual framework for this series is based upon the dreamings of an urbanized human. Those shaped into an archetypal creation myth.



The sleeping dream crosses into the waking dream of this dance art reality. It became forms of many mango paintings and a few mango sculptures. 




And then, a single dance appeared on April Fool’s Day 2006 on the edge of Land's End in San Francisco. The dance was of a Madame Jellyfish, Part I.

In June 2008, an excerpt of The North Pole was performed at the Lab in San Francisco.

On June 28, 2008 Map of the Mango Planet, Part III: The Full Moon Tango premiered at CounterPULSE in San Francisco.

On November 22, 2008, Mango Planet, Part II: The North Pole premiered at CounterPULSE in San Francisco.


IMAGINE










On the mango planet, everything is backwards, inside out. But how can it be perceived if this is the "normal view"? 

The mango planet is viewed in relation to planet earth.  On earth, the norm is rated by markers of material ownership which is achieved by polar opposites, blending and reacting upon each other. On the mango planet an invisible dance becomes more visibly real than the quantification of acquiring markers.  This dance is a long streaming outcome as if oscillating through a two dimensional mirror while it occurs in twelve dimensions.

Part III: FullMOON Tango
FullMOON Tango is about shadow and light and movement, about three attractions. When two opposites attract and repel along a continuum, a third element arises. It is alchemy. On the mango planet its location is in the region of "when".





























Part II: The North Pole
There is only one direction on the planet that is The North Pole. Everything else is a relative by other positioning. The North Pole connects systems, countries, states, bodies, etc. Nothing exists independent of changes made from or within the other positions. The North Pole's is located in the direction of "where".

Where everything on the mango planet is viewed upside down, inside out, backwards, the North Pole is not the "(kn)own north" but the "un(kn)own north".  Everything veers toward it anyway--as it is the magnetic north.


















































The North Pole is uninhabited by humans. Only magical creatures exist in phases of solidity and consciousness, in dreaming and dancing. A furnace of fire that is unseen must dwell within them to survive such extremes.













One magnetic north creature is similar to the earth's polar bear and like a human. It is a magical creature transformed into a vehicle for survival. Without this transformation, neither the polar bear nor the human would exist in this Magnetic North Pole. 

And how does this occur?
The transformation happens when each one speaks with the same tongue; when each being can carry the same sound into the cave of it's midnight sky; when the moon is new.

The sound prints remain there on the star-cave wall. Even today the symbols can be read by any magical being. The sound prints are the blue prints of the dance for survival.








Part I: Madame Jellyfish
Madame Jellyfish is the element that gives rise to all creation, the birth of the Mango Planet, the birth of beauty, and ten thousand things. The birth, the death and the sea is the nectar that sustains her living tableau. Her heart is a stone knife surrounded by golden flesh. It cuts through insanity. Her location questions "who".











The process of creating never ceases...this grand dreaming is art. Imagine. See. Dance...the myth heals...

Saturday, February 13, 2010

The Land of NO


The Land of NO
The Land of NO
extinguish doubts stbuod hsiugnitxe
No oN War raW
No oN Torture erutroT
No oN Slavery yrevalS

Okay now back to the dance! !ecnad eht ot kcab won yakO

THE GLOBAL DANCE PROJECT






MPOWERDANCE Company Notes: Artists Base Events and Performance Group














(Photo Credit: Ursus maritimus on sea ice close to Svalbard, Hannes Grobes, Alfred Wegener Institute for Polar and Marine Research, 2006)

MPOWERDANCE Production:
2012-Present The Global Dance Project (GDP)
2022 Survivors Dreaming New Media Exhibit 
2021 Survivors Dreaming (SFTS)
2020 Shadow in Light: Grace (screendance)
2019 Badwork GDP Workshop
2019 Oz Milieu (screendance)
2018 Light Dark (screendance)
2018 Figures (screendance)
2018 COMPASSIONS (NOH Space)
2018 Badwork GDP Workshop
2017 SFVictory Dance-Civic Dance (SF)
2017 MUD.SPIRIT. IMPRINT (screendance)
2016 GENIE (screendance)
2015 EVAWAVE (NOH Space) 
2014 Anthropo: Seaweed Woman (Monterey CA) 
2013 Calligraphy with Marco Di Suvero Sculptures (Crissy, SF)
2013 Raven's Wing (Crissy Field, SF)
2008 Mango Planet, Part II: The North Pole (Counter PulseTheatre, SF)

2008 Mango Planet, Part III: Fullmoon Tango (CounterPulse, SF)
2008  Upside Down Circle (The Lab, SF)
2007 Save The Humans (Salon, SF)
2007  Heaven (Salon, SF)
2006 Madame Jellyfish (Lands End, SF)
2003 Awahnee Trail (Yosemite)
2003 Edge of Mercy (Ocean Beach, SF)
2002 Ancestors of Light (Phil Deal Gallery, SF)
1997 Serpentine Vision (McKenna Theatre, SF)
1996 On the Beam (Tommy’s Jeans, SF)
1996 Moon at Dawn (ODC, SF)
1992 Ghost Puppet Adventures (24 Mission Theatre, SF)